Sunday Short: How to Be My Girlfriend by Sasha Burden

Sasha Burden was in the news a lot last month as her identity as the anonymous intern who did a tell-all of Melbourne newspaper, The Sun, was leaked. She's been subject to ridicule, sympathy, aggression and support alike, and the whole thing had this sort of explosive effect. All of that aside, I like Burden as a writer. Her short, creative piece How to Be My Girlfriend is a lovely, heartbreaking and tender bit of prose. It's just kind of wonderful.

We’ll never officially ask one another out but you’ll introduce yourself as my girlfriend one day and I won’t notice until I do too a week later. You’ll own three cats and we’ll make lesbian puns and ignore the felines as they watch us have sex in the bathtub.

You can read How to Be My Girlfriend over at the Farrago website

Friday Finds

 - During the course of the week, I found two awesome articles pairing alcoholic drinks with classic novels, and the whole thing has resulted in me and a few friends starting up our own bookclub, Classics & Cocktails. We're running it the first Sunday of the month with the first one being The Great Gatsby and a French 75. I'm thinking I might blog about this here, mostly for the pure hilarity of the thing. If you're wondering about the two articles, you can check them out here and here.


- James Scott Bell has written an awesome post on how to write a novella. As someone currently writing a triptych of the suckers, this was supremely helpful and insightful.


- There's a great post over on LipMag about Robyn Lawley, an Australian model who has just received the job of being Ralph Lauren's first plus-side rep. Woman is gorgeous, plus her tumblr, Robyn Lawley Eats, is basically the best. On the LipMag front too, my new Small Screen Sirens column is up. It's on HBO's Girls and you can check it out over here.

- On a totally far removed note, MTV Geek put up an interesting theory asking whether hunky guys are being sexually objectified in today's superhero films and is that, necessarily, a bad thing?

NYWF


I'm about to spend the next four days rolling about Newcastle for the National Young Writers Festival.  The festival is run every year as a part of This is Not Art, a big open event which includes NYWF, The Crack Theatre Festival and Critical Animals. To say I'm excited is a fairly significant understatement.



In an episode of last minute hilarity, I spent yesterday evening frantically doing laundry and packing up my little suitcase full of things that I might need, everything from undies to elaborate, half-filled journals. The result is that my bag is this kind of lumpy, unreasonably heavy little monster on wheels with not a whole lot of space for all the things I know I'm going to buy (because really, isn't festival season what credit cards are for?) I'm playing the whole thing by ear, doing it on the fly, and given that it's the first festival I've properly travelled for, I'm not entirely sure how it's going to go down. I'm excited though, like I said, so I figure that's a good place to start.

Your Mid-Week Art Break: Vera Bosgol

I've just ordered a copy of Anya's Ghost, a graphic novel by Russian-born writer/illustrator Vera Bosgol. As a result though, I've been raiding her website and inhaling her illustrations, original sketches through to her (pretty great) fanart, which is all pretty close to superb. She's got such expression and narrative in tiny scenes, I basically love it all. Check out her work over here. Warning for boobs though.

Sessun A/W 2012


I'm always fascinated by collections internationally because as we edge out of winter here, the rest of the world seems to be slipping back into it. The result is lookbooks like this make me miss the season I've only recently said goodbye to, instead of preparing me to meet the one knocking at my door. As spring starts tugging the sun up earlier outside my window, I'm here obsessing over autumn prints and those dusky, browning colours of the fall. Sessun's recent collection embodies that, takes control of the colour palette. I love it all a little too much. 






Sunday Short: The Hortlak by Kelly Link

The first Sunday Short I posted was Kelly Link's 'The Fairy Handbag', which remains one of my favourite shorts ever from one of my favourite collections ever, Magic for Beginners (which everyone should read and own and treasure). I figure I've given it enough time between to post another now, The Hortlak, which is another beautifully crafted piece about three people and a convenience store that straddles the land between the living and the dead. I'd love to say more about it, but I'd prefer it if you just read it. I really  want to live in Kelly Link's brain, because I think it would be the most glorious place.
Charley looked like someone from a Greek play, Electra, or Cassandra. She looked like someone had just set her favorite city on fire. Eric had thought that, even before he knew about the dogs.

Sometimes, when she didn’t have a dog in the Chevy, Charley came into the All-Night Convenience to buy a Mountain Dew, and then she and Batu would go outside to sit on the curb. Batu was teaching her Turkish. Sometimes Eric went outside as well, to smoke a cigarette. He didn’t really smoke, but it meant he got to look at Charley, the way the moonlight sat on her like a hand. Sometimes she looked back. Wind would rise up, out of the Ausible Chasm, across Ausible Chasm Road, into the parking lot of the All-Night, tugging at Batu’s pajama bottoms, pulling away the cigarette smoke that hung out of Eric’s mouth. Charley’s bangs would float up off her forehead, until she clamped them down with her fingers.
Batu said he was not flirting. He didn’t have a thing for Charley. He was interested in her because Eric was interested. Batu wanted to know what Charley’s story was: he said he needed to know if she was good enough for Eric, for the All-Night Convenience. There was a lot at stake.
You can read The Hortlak over on Link's website.

Friday Finds


Rebecca Giggs has written a really interesting piece on gender and genre which you can (and should) read over here.Giggs is one of my favourite non-fiction writers at the moment, and this feature is a highlight of both her ability as a journalist and as a writer generally. The topic itself is one that's pretty close to my heart too, so it's nice to see her cover it.

Men, too, write books about family, memory, loss and suburbia. Men, too, adopt the twee, the contemplative, the sentimental and the romantic as literary temperaments. But as the American author Lionel Shriver has pointed out, themes that might be considered quaint and localised in women’s writing are cast as synecdochic and political in books by men. So novels by women writers are often given mawkish, pastel covers – images taken from child-height of bodies, domestic settings and wispy plants – while novels by men are illustrated with images taken from overhead or in panorama, showing buildings, vistas and animals. Of course, there are exceptions, but the distinction still largely holds. Women’s writing is cottage industry – craft – while men make art and ideology.
 This beautiful speech by Louise Pratt to the Senate regarding the Marriage Amendment Bill.

Justine Larbalestier has written a great blog post on the importance of relationships in fiction too, and the fun you can have with them. 

Also, MURDER OR HUG?! (this is my new favourite).

Orla Kiela A/W 2012


I'm totally in love with this lookbook of Orla Kiely's. It's so stylised and stylish, plus the clothes are basically to die for. It's basically great. (via theclotheshorse)






Sunday Short: Babylon Revisited by F. Scott Fitzgerald

The degree to which F. Scott Fitzgerald's writing taps into his personal life still staggers me. Tender is the Night is one of my favourite novels of all time and it's portrayal of Dick and Nicole Diver and the demise of them romantically and individually virtually mirrors that of Fitzgerald and his wife, Zelda. Babylon Revisited has a lot in common with Tender is the Night, and plays with a lot of the same themes, namely of what happens to the life of the party when everyone's gone home. The short is a tender piece about a father's battle to get his daughter back following a stint in a sanitarium, a drinking problem and the death of his troubled wife. Plus it's written with Fitzgerald usual flare for the sublime which makes it worthy of the read anyway.
As they rolled on to the Left Bank and he felt its sudden provincialism, he thought, “I spoiled this city for myself. I didn’t realize it, but the days came along one after another, and then two years were gone, and everything was gone, and I was gone.”
You can read Babylon Revisited here

Friday Finds

- This interview with Matthew Lamb about the Review of Australian Fiction is basically fantastic. It gives such a great insight into the history of the journal and the planning and thought behind it, into the industry of Australian short fiction and the possibilities that digital publishing allows for. Also, hot damn, Matthew Lamb is a total charmer, and a man after my own heart.
That’s the sort of drunken rant I would launch into at the slightest provocation, back in the day, and they would often be patiently listened to by the now manager of RAF, Phil Crowley. He doesn’t rant as much as me, because it eats into his drinking time. But I am a faster drinker, and can multi-task, so we can pretty much keep up with each other.
It helps that RAF is pretty great too. I really, really recommend subscribing, I mean, it's $12.99! I pay more for lunch!

- 10 Great War Books Written by Women. I've been reading The Yellow Birds by Kevin Powers for my book club, and I was excited to see this list emerge on my feed. The Yellow Birds could certainly use a lady injection, as could the war genre in general, so I will definitely be checking a few of these out.

- I also intend to make this cake immediately. It looks delish. And am a bit in love with this cardigan

Victory: Like Dreamers Do

I'm pretty in-love with this lookbook by Portland-based label, Victory. It beckons summer on, which is my favourite time of year. Plus I'd wear pretty much every item in a heartbeat.










Your Mid-Week Art Break: Denise Nestor

Denise Nestor's sketches are so close to life, it's kind of amazing. That said, there's an element of whimsy to her work that bellies the natural, and what results are these truly beautiful illustrations.

Sunday Short: Intravenous by Luke Johnson

I'm loving Australian literary journal The Lifted Brow at the moment. The caliber and diversity of writing that they publish is really exciting, and always leaves me excited for the next issue. They recently posted Intravenous by Luke Johnson on their blog, and it really is a beautiful short fiction piece, a glimpse into the life of a couple that starts with finding a beached fish, and ends in a hospital room. Lovely stuff.
Today is Sunday. Sunday is the day Georgina and I jog on the beach. We jog from the clubhouse to the ocean baths and back, three times over. The distance is measured in time. One circuit equals fourteen minutes. After three circuits we drive home in our car and have sex on our bed. Sunday sex. We like the taste of salt on each other’s skin as well as the appearance of our glistening, frictionless bodies in the wardrobe mirrors. It reminds us of sex we had in a very humid hotel room once. On that occasion we took turns filling a drinking glass and pouring water over each other. There was a large mirror on the backside of the door and we wrestled on the bed like clumsy assassins. The next morning we left the hotel and drinking glass behind and booked into a more-expensive motel with air-conditioning and minbar. The sex we have on weekdays is more cautious than the sex we have on Sundays and more alike the sex we had in that subsequent motel room, where there wasn’t the need to refill glasses from a ceramic pedestal basin in order to keep each other cool and alive at the same time as trying to kill each other with overheated passion.

You can read Intravenous by Luke Johnson at 'The Lifted Brow' blog.

Friday Finds

I spent hours last night looking at RealityTVGIFs. I have a total guilty pleasure for reality television, the trashier the better, and this tumblr is kind of like a best of compilation. It's so great.


- I'm a little bit in love with these 'Let's Do Coffee' cards, to the point that I'm tempted to make a few up and keep them in my wallet.

- Harry Potter Retrospective Supercut. I'll just be over here ugly crying. 

- My hair also won't let me be sexy

- Don't come a'knockin' if this owl is a'rockin'. Or something.

It's Brisbane Writers Festival this weekend which is pretty exciting. I'm hosting a couple of author chats over at the Writer's Lounge, so if you're in town, you should totally check them out!

An Ode to Moving



I don’t know how the nomads did it. The regular uproot of livelihood, the transitional home. I’m not a mover, I tend to lay down roots quick and let them grow deep, until the worms fester and I’m as much a part of the ecosystem as the house I’m living in. It wasn’t always this way – growing up, we moved around a lot. My Dad at the time had a game show that travelled Europe, so my Mum, my sister and I, and later my baby brother, would be whisked around from set to set, from Spain to Holland to Italy, clambering over props and sitting in a studio audience. Our home base at the time was a big, retired farm house in a little village in England called Ravensden, and as my sister and I both started school, it became more a permanent placement. My Dad would start travelling on his own, and we’d follow only in the breaks between school terms.

House Ravensden became a total playground for my sister and I. An acre wide, with a wall of cows surrounding us, we’d make forts in the front yard out of old sheets and explore the abandoned apple orchard in the neighbour’s property by clambering through the untamed blackberry bush that existed in lieu of a fence. We’d play Xena with sticks for swords and a Frisbee as her chakram. We had rabbits at the time too, that we’d let escape and play chase with. I have intensely fond memories of the house, even though I know it was far from perfect. It was understood to be haunted by old witches by a lot of the villagers, and had a pretty bad spider problem. The driveway was long and rambling, and our old dog, an Irish wolfhound named Callan, would limp up and down it and scare all the mailmen off by sheer size alone.

When I was eleven though, we moved back to Australia, back to Brisbane, sacrificing easy travel for the stifling heat of a continent separated by state instead of country, by dialect instead of language. We moved to a sweet old suburban house with a swimming pool and a conservatory, and our rabbits, who’d been left with friends, were swapped for a bitter blue tongue lizard and an aviary full of tiny, buzzing finches.  Jalanga Street wasn’t Ravensden, but it was special in its own way. It was a home defined by proximity to family, by highschool and by birthplace.

A year and a half ago, timed with my parents separation, I moved out of home with my best friend, Emma, into a dinky little house on Brenda Street. Brenda Street is a funny place, a street full of quirk, but the house itself is shambolic, built by Emma’s grandfather who was never a builder. It’s patchwork, complete with grey walls and pink and purple lino, mould on the ceilings and an odd, concrete attachment as a laundry. We live on top of each other, with two cats that love to destroy furniture, carpet and flyscreens, which has added to the demise of the property.

About six months ago, we decided a move was basically overdue. Like I said, I’m not the best mover, but I was keen for this, excited, and spent hours talking about the home that I was going to have a say in, be able to choose. I had an image in my head of my new kitchen, bedroom, layout. A small, manageable yard, a warm interior that would be filled with the odds and ends I’d collected throughout my life, from Kuzco the African-inspired Giraffe statue to my ridiculous collection of teapots and geisha inspired tea tins. Of course, this isn’t a reality in house hunting. Dream boating quickly became guess the murder that happened in the rental. My housemate and I work on a shoestring budget as is, but it meant having to up our stakes in a competitive market. It was hard, and the thought of ending up somewhere that was awful terrified me. There was a light though, and my dreamboat proved a reality with a house at Martha Street. Spacious, sweet and old, I fell in love with the thing, and an application later it was ours.

The last two weeks have been a fun time for Emma and I. We’ve been packing boxes giddily, clearing out old linen and generally being excited for our new home. Of course, our slow packing meant that we ran out of time, and the move went from a calm, ordered thing to a mad panic, wondering why the fuck I have so many books and culminating in me throwing shoes in cooler bags and hoping they’d survive the trip.

We did the full move last night, and I’m writing this with stupid, aching arms and shoulders from hauling furniture and boxes, and I’m oddly nostalgic for Brenda Street, like the house wasn’t out to get us. It’s like suddenly all the things that used to make me grimace or groan are things I can laugh about. Like the time our neighbour cornered me when I was more than a little inebriated to give me a twenty-minute history of the mower owned by the man across the road from us, or the million times I got locked out because the house has too many security doors or the unstoppable colonies of ants that occupy every nook and cranny, to the point where I opened my Chupa Chup limited edition pop art jar (shut up, it’s cool) to have a settlement of the fuckers swarm out and up my arm.

I’m sure I’ll grow irks and groans about Martha Street too (apparently I’m destined to live on streets named after elderly women), but right now I just want to lie on the grass in the modest back yard and become a part of the land, and maybe I would, if there weren’t so many bindies.

Your Mid-Week Art Break: Ashley Stoddard

This week's is the wonderfully lush designs of Ashley Stoddard. I recommend checking out her sublime folio over on her website. The Middle Eastern illustrations come with such a strong sense of narrative, it's basically a textless story.

The Sapphires

I kind of wanted to see this anyway, but this youtube video of Chris O'Dowd, Jessica Mauboy and the rest of the cast of The Sapphires karaoke'ing in Cannes makes me want to see it so much more.

Sunday Short: Road Kill by Krissy Kneen

There's a lot to like about Krissy Kneen as a writer. She's awesomely atmospheric, and her writing has an ebb and flow to it that's kind of wonderful to read. I read her most recent book, Triptych, earlier in the year - a compilation of three erotic novellas - and really enjoyed it (especially the first novella of the three). She gives a level of compassion and understanding to her characters that a lot of writers don't. Road Kill is a lovely short published earlier in the year in local journal, 'Kill Your Darlings' (which is a great journal in itself, and I highly recommend it). You can read Road Kill online here via the 'Kill Your Darlings' website.

He tied the rope gently to the dock and wiped his sun-warmed forehead with the back of his hand. The smell of road kill, the slight whiff of decay and, behind it, that fishy reek. He stood with his hands against his face and the thud of the boat tugging against its mooring, and the bleached-out sun. And he could remain like this, lost in the darkness of his palms, inhaling. He wondered how long he could stand there before someone noticed.